Cumulus Milano 2015 – The virtuous circle

THE VIRTUOUS CIRCLE.
DESIGN CULTURE AND EXPERIMENTATION

Design comes out of the interaction between a practice, which seeks to change the state of things, and a culture, which makes sense of this change. The way this happens evolves with time: practices and cultures evolve and so do the ways they interact; and the attention that is paid at different moments to one or other of these interacting polarities also evolves. In the current period of turbulent transformation of society and the economy, it is important to go back and reflect on the cultural di-mension of design, its capacity to produce not only solutions but al-so meanings, and its relations with pragmatic aspects. Good design does not limit itself to tackling functional and technological ques-tions, but it also always adopts a specific cultural approach that emerges, takes shape and changes direction through a continuous circle of experimenting and reflecting. Because the dimension and complexity of the problems is growing, it is becoming evident that to overcome them it is, above all, necessary to bring new sense systems into play. This is ground on which design, by its very nature, can do much. In-deed, the ability to create a virtuous circle between culture and practical experimentation is, or should be, its main and distinctive characteristic. However, for this really to happen it is necessary to trigger new discussion and reflection about the nature and purpose of design practice and culture. We need to take a step back in history and look at what they were like in the past; then come back to the present and ask ourselves how they have changed and are changing in today’s world in transition. This process could start with some questions, for example: how do the new design practices produce culture? Vice versa, how can this culture orientate and offer common horizons to the multiplicity of practices that take place in design activities? How does this emerging culture tie up with the design tradition of the last century? How can this add depth and consistence to the design culture of the 21st century?

The virtuous circle is the Cumulus’ summer conference.

Cumulus – International Association of Universities and Colleges of Art, Design and Media

Cumulus is a non-profit organization and network for institutions of art, design and media. It is the only global forum for partnership, friendship and sharing knowledge aimed at enhancing the education and research of art, design and media. Our members are prominent institutions from over 40 countries around the world providing degree studies for 300 000 students.

CREATIVE LINKING
Cumulus provides its members a wide, dynamic and flexible international context for dialogue and innovation. It offers advice, assistance and information enhancing exchange and mobility of students and teachers. The goal is to expand our networks and increase sharing of know-how and best practices among academics, professionals and other stakeholders under the umbrella of Cumulus. Cumulus inspires its members to strive towards a more sustainable, human-centered and creative future.

DIALOGUE WITH GLOBAL ACADEMIC AND PROFESSIONAL INSTITUTIONS
Cumulus is actively seeking dialogue opportunities with academic and professional institutions, NGOs, governmental institutions, etc. We aim at bringing issues of design education and research on the agenda, influencing policy making, creating platforms of collaboration and support the developments in the field. Over the years Cumulus has formed partnerships and dialogues with AIGA, ADR Russia, BEDA, DESIS, DINZ, DSR, EESC EU, EIDD, ELIA, IASDR, ICOGRADA, IF, ICSID, INDEX, IxDA, NASAD, OHIM EU, OTTAGONO, PROARTE, UNICEF, among others. Cumulus is endorsed by UNESCO.

for further informations

Cumulus Milano 2015 website